documentary review
This is not a review of The Yogurt Shop Murders, the four-part documentary series about an infamous Texas murder where people were sent to prison based on false confessions. It’s not a review of that, no, but I found it kind of curious that both it and Deborah S.
documentary review
The words “Cutting Through Rocks” is such an evocative title for a documentary. It conjures up so many potential ideas as to what it is going to be about. That co-directors Sara Khaki and Mohammadreza Eyni choose to open their debut feature with the actual cutting of actual rocks almost
documentary review
I co-host and co-produce a radio show here in Melbourne called Strictly Soundtracks. As you may gather by the name, we discuss the music from film and television. It’s on Joy 94.9 if you care to listen, which you obviously should! On a recent Halloween episode, I put
documentary review
How does somebody come back from grief when it is their job to be funny? Even somebody like Marc Maron who’s professional (and personal) persona is that of what was maybe once known as a curmudgeon. A grouch with a sense of humour. A bit of a cynic about
music documentary
Taking a Depeche Mode superfan to IMAX that they had never been to before (and a real IMAX at that) to see a Depeche Mode concert documentary is a real treat that I recommend to others. You can replace Depeche Mode if you’d like. Although in the case of
documentary review
It’s curious to watch a film like Prime Minister in the very immediate shadow of this week’s American elections. Particularly so those in New York City, where a socially and politically progressive thirtysomething candidate who isn’t a cis white male turned a relatively quick-launch campaign into a
documentary review
Heidi Levitt is a familiar name in the credits of Hollywood productions, although you may not have noticed. She’s worked as a casting director on films by Oliver Stone, Wayne Wang, Adrian Lyne, Wim Wenders and Michael Bay, casting American presidents, groundbreaking ensembles, and big budget action spectacles as
documentary review
With River of Grass, the elegiac mood piece about the Floridian Everglades, director Sasha Wortzel does something that I really love to see in documentaries. This is in essence a nature documentary, but it’s not just concerned with that one facet of the area or of non-fiction filmmaking. Alongside
documentary review
I don’t ever really expect to watch too many films that have a direct relevance to what I do for a living five days a week. I mean, there’s certainly newsworthy elements to my day job, but in the grand scheme of things, at least here in Victoria,
Doc Rewind
“Heaven is… uh… hmmm.” It’s honestly kind of amusing that Diane Keaton, in her first directorial credit, chose not only to make a documentary about heaven, but also that she chose to open it with somebody who doesn’t have an answer. In a documentary that is often as
documentary review
“There was, there was not” is an Armenian idiom that plays as the opening to a fairy tale in much the same way that “once upon a time” might elsewhere. It’s a poetic and appropriate way to begin a story of Artsakh, an eastern-European enclave that now, as we
documentary review
I have seen far too few films of Robert Kramer. “He invents cinema with each new shot”, according to Cahiers du Cinéma. Those that I have seen have left an impression upon me. Take for instance, the lo-fi paranoia of The Edge from 1968 and Ice two years later with